Category: Guru Granth Sahib

SGGS pp 672-674, Dhanaasri M: 5, Shabads 7-12.   ਧਨਾਸਰੀ ਮਃ ੫ ॥ ਲਵੈ ਨ ਲਾਗਨ ਕਉ ਹੈ ਕਛੂਐ ਜਾ ਕਉ ਫਿਰਿ ਇਹੁ ਧਾਵੈ ॥ ਜਾ ਕਉ ਗੁਰਿ ਦੀਨੋ ਇਹੁ ਅੰਮ੍ਰਿਤੁ ਤਿਸ ਹੀ ਕਉ ਬਨਿ ਆਵੈ ॥੧॥ Ḏẖanāsrī mėhlā 5.  Lavai na lāgan ka▫o hai kacẖẖū▫ai jā ka▫o fir ih ḏẖāvai.  Jā ka▫o gur ḏīno ih amriṯ ṯis […]

SGGS pp 670-672, Dhanaasri M: 5, Shabads 1-6.   ਧਨਾਸਰੀ ਮਹਲਾ ੫ ਘਰੁ ੧ ਚਉਪਦੇ   ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Ḏẖanāsrī mėhlā 5 gẖar 1 cẖa▫upḏe   Ik▫oaʼnkār saṯgur parsāḏ.   Composition of the fifth Guru in Raga Dhanaasri, of (chaupadey) four stanzas, (ghar-u 1) to be sung to the first beat.  Invoking the One all-pervasive Creator […]

SGGS pp 668-670, Dhanaasri M: 4, Shabads 7-13.   ਧਨਾਸਰੀ ਮਹਲਾ ੪ ਘਰੁ ੫ ਦੁਪਦੇ   ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Ḏẖanāsrī mėhlā 4 gẖar 5 ḏupḏe    Ik▫oaʼnkār saṯgur parsāḏ.   Compositions of the fourth Guru in Raga Dhanaasri (dupadey) of two stanzas, (ghar-u 5) to be sung to the fifth beat.   Invoking the One all-pervasive Creator […]

SGGS pp 666-668, Soratth M: 4, Shabads 1-6.   ਧਨਾਸਰੀ ਮਹਲਾ ੪ ਘਰੁ ੧ ਚਉਪਦੇ            ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Ḏẖanāsrī mėhlā 4 gẖar 1 cẖa▫upḏe  Ik▫oaʼnkār saṯgur parsāḏ.   Composition of the fourth Guru in Raga Dhanaasri (chaupadey) with four stanzas, (ghar-u 1) to be sung to the first beat.  Invoking the One all-pervasive Creator […]

SGGS pp 663-666, Dhanaasri M: 3, Shabads 1-9.   ਧਨਾਸਰੀ ਮਹਲਾ ੩ ਘਰੁ ੨ ਚਉਪਦੇ   ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Ḏẖanāsrī mėhlā 3 gẖar 2 cẖa▫upḏe  Ik▫oaʼnkār saṯgur parsāḏ.   Composition of the third Guru in Raga Dhanaasri, (chaupadey) of four stanzas each, (ghar-u 2) to be sung to the second beat.  Invoking the One all-pervasive Creator […]

SGGS pp 662-663, Dhanaasri M: 1, Shabads 6-9 including Aarti   ਧਨਾਸਰੀ ਮਹਲਾ ੧ ॥ ਚੋਰੁ ਸਲਾਹੇ ਚੀਤੁ ਨ ਭੀਜੈ ॥ ਜੇ ਬਦੀ ਕਰੇ ਤਾ ਤਸੂ ਨ ਛੀਜੈ ॥ ਚੋਰ ਕੀ ਹਾਮਾ ਭਰੇ ਨ ਕੋਇ ॥ ਚੋਰੁ ਕੀਆ ਚੰਗਾ ਕਿਉ ਹੋਇ ॥੧॥ Ḏẖanāsrī mėhlā 1.  Cẖor salāhe cẖīṯ na bẖījai.  Je baḏī kare ṯā ṯasū na […]

SGGS pp 660-662, Dhanaasri M: 1, Shabads 1-5.   Note: Human beings are forever tempted by, and succumb to, temptations in the world-play and as a result commit vices. This causes fear of retribution. The only way one can have the strength to overcome the temptations is by paying attention to Naam, i.e. emulating virtues […]

SGGS pp 656-659, Soratth Naamdev Ji, Ravidas Ji and Bheekhan Ji.   ਰਾਗੁ ਸੋਰਠਿ ਬਾਣੀ ਭਗਤ ਨਾਮਦੇ ਜੀ ਕੀ ਘਰੁ ੨        ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Rāg soraṯẖ baṇī bẖagaṯ nāmḏe jī kī gẖar 2   Ik▫oaʼnkār saṯgur parsāḏ.   (Baani) composition of (ji) the revered (bhagat = devotee) saint (naamdey) Namdev in Raga Soratth, (ghar-2) […]

SGGS pp 654-656, Soratth Kabir Ji, Shabads 1-11.   ਰਾਗੁ ਸੋਰਠਿ ਬਾਣੀ ਭਗਤ ਕਬੀਰ ਜੀ ਕੀ ਘਰੁ ੧   ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Rāg soraṯẖ baṇī bẖagaṯ Kabīr jī kī gẖar 1    Ik▫oaʼnkār saṯgur parsāḏ.   (Baani = words) composition of (ji) the revered (Bhagat) devotee/saint Kabir, in Raga Soratth, (ghar-u 1) to be sung to […]

SGGS pp 652-654, Soratth Ki Vaar M: 4, Pauris 26-29 of 29.   Note: This twenty-sixth Paurri of Soratth Ki Vaar M: 4 has two Sloks, also of the fourth Guru, preceding it. Their subject is that those who do not follow the guru’s teachings, they go their own way and act viciously. They do […]

SGGS pp 650-652, Soratth Ki Vaar M: 4, Paurris 21-25.     Note: This twenty first Paurri of Soratth Ki Vaar M: 4 has two Sloks or prologues, by the third Guru, preceding it. They all motivate human beings not to pretend being pious to impress others with scriptural knowledge or wearing holy-looking garbs; but […]

SGGS pp 648-650, Soratth Ki Vaar M: 4, Paurris 16-20.   ਸਲੋਕੁ ਮ: ੩ ॥ ਬਿਨੁ ਕਰਮੈ ਨਾਉ ਨ ਪਾਈਐ ਪੂਰੈ ਕਰਮਿ ਪਾਇਆ ਜਾਇ ॥ ਨਾਨਕ ਨਦਰਿ ਕਰੇ ਜੇ ਆਪਣੀ ਤਾ ਗੁਰਮਤਿ ਮੇਲਿ ਮਿਲਾਇ ॥੧॥ Salok mėhlā 3.  Bin karmai nā▫o na pā▫ī▫ai pūrai karam pā▫i▫ā jā▫e.  Nānak naḏar kare je āpṇī ṯā gurmaṯ mel milā▫e. ||1|| […]

SGGS pp 646-648, Soratth Ki Vaar M: 4, Paurris 11-15.   Note: This eleventh Paurri of Soratth Ki Vaar M: 4 is preceded by two Sloks or prologues of the third Guru. The message from the Sloks is that those who take decisions of public interest should not listen to others. They should educate themselves […]

SGGS pp 644-646, Soratth Ki Vaar M: 4, Paurris 6-10.   Note: This sixth Paurri of Soratth Ki Vaar M: 4, has two Sloks or prologues by the third Guru, preceding it. The message of the Sloks is that one needs to submit to the guru’s teachings sincerely. The Paurri emphasizes that the things and […]

SGGS p 2, Japji Paurri 7.   Note: Divine grace is a theme that runs throughout Japji. Paurri 6 states that nothing can be achieved without Divine grace. However human beings try to assert their capabilities to show that their achievement are by their virtues and efforts. The basic reason for not acknowledging the role […]

SGGS pp 642-644, Soratth Ki Vaar M: 4, Paurris 1-5.   ਰਾਗੁ ਸੋਰਠਿ ਵਾਰ ਮਹਲੇ ੪ ਕੀ   ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Rāg soraṯẖ vār mahle 4 kī    Ik▫oaʼnkār saṯgur parsāḏ.   Composition called (vaar) ballad (ki) of (mahaley 4) the fourth Guru, in Raag Soratth.  Invoking the One all-pervasive Creator who may be known with […]

SGGS pp 641-642, Soratth M: 5, Asttpadi 3.   ਸੋਰਠਿ ਮਹਲਾ ੫ ਘਰੁ ੨ ਅਸਟਪਦੀਆ   ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Soraṯẖ mėhlā 5 gẖar 2 asatpaḏī▫ā     Ik▫oaʼnkār saṯgur parsāḏ.   Composition of the fifth Guru in Raga Soratth, (asttpadeea) of eight stanzas each, (ghar-u 2) to be sung to the second beat: Invoking the One all-pervasive […]

Japji Pauri 6   Note: In Pauri 5, we learnt that we should (gaaveeai = sing) praise virtues of the Almighty and (suneeai) listen to them (rakheeai bhaau) lovingly. We also learnt that one learns about the Master (gurmukh-i) from the teachings of the guru. The fifth Pauri ended with requesting the guru to give […]

SGGS pp 639-641, Soratth M: 5, Asttpadees 1-2. ਸੋਰਠਿ ਮਹਲਾ ੫ ਘਰੁ ੧ ਅਸਟਪਦੀਆ   ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Soraṯẖ mėhlā 5 gẖar 1 asatpaḏī▫ā    Ik▫oaʼnkār saṯgur parsāḏ.                                                                                                                                Composition (mahla 5) of the fifth Guru, in Raga Soratth, (asttpadeeaa) of eight stanzas each, (ghar-u 1) to be sung to the first beat.  Invoking the One […]

SGGS pp 637-639, Soratth M: 3, Astpadis 1-3.     ਸੋਰਠਿ ਮਹਲਾ ੩ ਘਰੁ ੧ ਤਿਤੁਕੀ    ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥ Soraṯẖ mėhlā 3 gẖar 1 ṯiṯukī   Ik▫oaʼnkār saṯgur parsāḏ. Composition of (mahla 3) the third Guru in Raga Soratth, with stanzas (tituki) of three lines each, (ghar-u 1) to be sung to the first beat.   […]


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